About the part that art plays in a globalising society

Framer Framed

Installatiefoto van de tentoonstelling Charging Myths (2023) bij Framer Framed, Amsterdam. Foto: Maarten Nauw / Framer Framed.
Installatiefoto van de tentoonstelling Charging Myths (2023) bij Framer Framed, Amsterdam. Foto: Maarten Nauw / Framer Framed.
A Prelude to: When The Dust Unsettles (2022) by Femke Herregraven. Foto: Maarten Nauw / Framer Framed.
Detail of The Pits (2022) by Alexis Destoop. Foto: Maarten Nauw / Framer Framed.
A Chain of Events (2021) by Maarten Vanden Eynde. Foto: Maarten Nauw / Framer Framed.
The Concentrator (2022) by Jean Katambayi Mukendi. Foto: Maarten Nauw / Framer Framed.
Sammy Baloji, Jean Katambayi Mukendi & Daddy Tshikaya, Tesla Crash, A Speculation (2019). Foto: Maarten Nauw / Framer Framed

24 Feb –
4 Jun 2023

Exhibition: Charging Myths

We proudly present our new exhibition Charging Myths! Framer Framed presents works by the transnational artist collective On-Trade-Off, as they explore how technological innovation is dependent on natural resources. Following the trail of lithium, beginning in Manono, Democratic Republic of the Congo, this exhibition delves into our relationship with energy – from its colonial past to its unequal technological future. The exhibition runs until 4 June 2023. Free entry.

How is technological innovation dependent on natural resources?

Our relationship with energy is a theme that is as old and mythical as it is strategic. In this exhibition, the artist collective On-Trade-Off follows the trail of lithium. The starting point is the city Manono in the Southeast of the Democratic Republic of the Congo (DRC), where the world’s largest stock of lithium ore was recently discovered. The former mining town is a place that hovers between past and present. While the scars of the colonial mining industry are still visible, multinationals launch large-scale mining of lithium, an important resource in the race for green energy.

The artworks zoom in on the global race for raw materials – from exploitation to financial speculation, from raw materials to high-tech products. The ‘Trade-Off’ is a fundamentally unequal exchange. It takes place between technological growth and increasing inequality, between overconsumption and survival, between the precious metals we carelessly carry in our pockets and the hands that extract them from the earth.

The artists focus on co-operation and knowledge sharing and thus offer an artistic counterbalance to the economic logic of extraction and exploitation. Alongside the critical outlook, they also showcase the magic of energy and electricity, the resilience of man and land, and the belief in a new sun.

The exhibition is a co-production of On-Trade-Off an artist-run project initiated by Picha (Lubumbashi, DRC) & Enough Room for Space (Brussels, BE), Framer Framed (Amsterdam, NL) and Z33 (Hasselt, BE).

Text: Z33, House for Contemporary Art, Design & Architecture

Location
Framer Framed
Oranje-Vrijstaatkade 71
1093 KS, Amsterdam

Opening times
24 Feb – 4 Jun
Tuesday – Sunday, 12:00-18:00h
Free entry


Participating Artists
Alexis Destoop
Marjolijn Dijkman
Pélagie Gbaguidi
Femke Herregraven
Dorine Mokha & Elia Rediger
Jean Katambayi Mukendi
Musasa
Alain Nsenga
Georges Senga
Pamela Tulizo
Maarten Vanden Eynde

Exhibition Design
Katharina Sook Wilting & Tal

Curatorial Advice
Ils Huygens


Energy Tokens

A new virtual journey is launching during the exhibition! Energy Tokens are unique digital memories that are forever and immutably stored on the blockchain in the form of NFTs. Once you collect one of them it is uniquely yours and stored in your wallet. Energy Tokens are available only to the visitors of the exhibition Charging Myths at Framer Framed in Amsterdam.

Scan the QR code and collect one of the unique Energy Tokens crafted by Musasa and Maarten Vanden Eynde and start your journey through the history of energy. As more viewers participate in the experience, more NFTs can be unlocked.


Supported by
Ministerie van Onderwijs, Cultuur en Wetenschap; Amsterdams Fonds voor de Kunst; Gemeente Amsterdam. The participation of Jean Katambayi Mukendi is made possible by the Thami Mnyele Foundation Residency Award. The Energy Tokens project is supported by Stokroos and realized by artist Yin Aiwen.



Colonial history / Action Research / Collectives / Ecology / Extractivism /

Agenda


Finissage: Charging Myths - 'In words nourished'
A storytelling event within the context of the exhibition, Charging Myths.
In Extractive Terrains
An afternoon of film screenings and discussions exploring imperialist, colonial and capitalist histories of extraction in Central Asia and Ukraine.
Performance: Electrify Everything
Performance with artists Pom Bouvier b., Marjolijn Dijkman and Jean Katambayi Mukendi reflecting on the structuring power of electricity and its relation to resources and exploitation.
Towards Decentralised Art Infrastructures
A public discussion to explore blockchain technology for building decentralised art infrastructures.
We do not yet know what malls can do
Public program and video installation reflecting on contemplation on the urban and virtual infrastructures of late capitalism.
Launch Event: NON NATIVE NATIVE FAIR 2023
Open call for the Non Native Native Fair, PRO$PERITY NOW!
More-Than-Human Encounters
Performative evening on the different dimensions of global extraction with artists Femke Herregraven, Maarten Vanden Eynde and Georges Senga.
Kunstschooldagen 2023
Two-day programme where groups of 8th-graders and facilitators visit different cultural institutions.
Opening: Charging Myths by On-Trade-Off
Opening of the exhibition, Charging Myths, by transnational artist collective On-Trade-Off.

Network


Elia Rediger

Artist

Tal

Designer, Artist

Alexis Destoop

Artist

Marjolijn Dijkman

Artist

Pélagie Gbaguidi

Artist

Femke Herregraven

Artist

Dorine Mokha

Artist

Jean Katambayi Mukendi

Artist

Edmond Musasa Leu N’seya

Artist

Alain Nsenga

Artist

Georges Senga

Artist

Maarten Vanden Eynde

Artist

Pamela Tulizo

Artist

Katharina Sook Wilting

Designer

Sammy Baloji

Artist

Magazine