About the part that art plays in a globalising society

Framer Framed

‘A Funeral for Street Culture’ (2021), Metro54 & Rita Ouédraogo. Foto: © Eva Broekema / Framer Framed
Frédérique Albert-Bordenave - ‘A Funeral for Street Culture’ (2021), Metro54 & Rita Ouédraogo. Foto: © Eva Broekema / Framer Framed
Pillars of Autumn, The Honeycomb Hideout. ‘A Funeral for Street Culture’ van Metro54 en Rita Ouédraogo gehost door Framer Framed, Amsterdam (2021), foto: © Eva Broekema / Framer Framed.
Setareh Noorani & Jelmer Teunissen - ‘A Funeral for Street Culture’ (2021), Metro54 & Rita Ouédraogo. Foto: © Eva Broekema / Framer Framed
Stephen Tayo - ‘A Funeral for Street Culture’ (2021), Metro54 & Rita Ouédraogo. Foto: © Eva Broekema / Framer Framed
Bodil Ouédraogo - ‘A Funeral for Street Culture’ (2021), Metro54 & Rita Ouédraogo. Foto: © Eva Broekema / Framer Framed
Bodil Ouédraogo ©EvaBroekema
Framer Framed opening A Funeral for Street Culture 27 low res
Kenneth Aidoo in front of his work at 'A Funeral for Street Culture (2021), foto: © Maarten Nauw / Framer Framed Framer Framed opening A Funeral for Street Culture'. Photo: © Maarten Nauw / Framer Framed
Pris Roos, foto © Betul Ellialtioglu / Framer Framed
KIOSK Rotterdam at A Funeral for Street Culture. Foto: © Maarten Nauw  / Framer Framed
KIOSK Rotterdam at 'A Funeral for Street Culture’ van Metro54 en Rita Ouédraogo gehost door Framer Framed, Amsterdam (2021). Foto: © Maarten Nauw / Framer Framed
Outro Weekend 'A Funeral for Street Culture' (2021). Photo: Jarmal Martis
'All together, until then' by Cédric Kouamé - Funeral for Street Culture  (2021) by Metro54 and curator Rita Ouédraogo. Photo: © Eva Broekema / Framer Framed
Cengiz Mengüç - ‘A Funeral for Street Culture’ (2021), Metro54 & Rita Ouédraogo. Foto: © Eva Broekema / Framer Framed
Opening of 'A Funeral for Street Culture' by Metro54 and Rita Ouédraogo hosted by Framer Framed, Amsterdam (2021), foto: © Maarten Nauw  / Framer Framed
Ontwerp door Lydienne Albertoe

10 Jun –
8 Aug 2021

Project: A Funeral for Street Culture

What do we do when the hype dies? We organise a funeral to say farewell. A Funeral for Street Culture is a special project that digs deep into the world and sorrows of contemporary street culture, its influencers, shape-shifters and failures.

Since our reality has changed tremendously due to Covid-19 and the refuelled movement for Black Lives Matter and anti-racist world-making, it is time to rethink and reevaluate our relationship with and notion of the street. With the pandemic, life might have been sucked out of the streets, its immense impact on culture is still felt and present.

Street culture has always been a geographical site for culture making, playfulness, collaboration and solidarity. The street is an extension of the home but it is also the public space where relations with state and society are reconfigured. Currently, the street is in protest across the world. Amidst the turmoil, a funeral for street culture seems more relevant and urgent than ever.

For the past decades street culture has been a global mode of cultural expression, rebellion, hijacking – transforming elements of cultures, art and design. A Funeral for Street Culture echoes the culture produced and owned by the communities from whom it originated. But what happens when the culture and its cultural productions are commodified by brands and institutions? To what extent are these processes of institutionalisation and hyper-commercialisation a death sentence to street culture? Is there still room for a counterculture when the counter becomes mainstream?

Together with artists, poets, designers, thinkers and hustlers, Metro54 and Rita Ouédrago look into these questions and explores the ways street culture both interweaves with and departs from design, performativity, queerness, fashion, activism and cultural appreciation. A Funeral for Street Culture is a critical celebration of street culture and will take the shape of meetings, installations, performances, conversations, mournings and workshops.

Contributions by
Kenneth Aidoo
Frédérique Albert-Bordenave
Oko Ebombo
Cédric Kouamé
Cengiz Mengüç
Narges Mohammadi
Bodil Ouédraogo
JeanPaul Paula
Pillars of Autumn – Tobi Balogun, Walter Götsch, Wes Mapes, Dion Rosina
Pris Roos
Stephen Tayo
KIOSK Rotterdam

Spatial Design
Setareh Noorani & Jelmer Teunissen

Graphic Design
Lydienne Albertoe

Credits
A project conceived by Metro54 and Rita Ouédraogo.

Made possible with the support of:
Ministerie van Onderwijs, Cultuur en Wetenschap; Stadsdeel Oost; Amsterdams Fonds voor de Kunst; Fonds voor Cultuurparticipatie.



Collectives / Community & Learning / Diaspora / Photography /

Agenda


Outro Weekend: A Joyful Black Manifesto II
Finissage of 'A Funeral for Street Culture'
Workshop: Hanging Out in the Bookshop
Zine-making workshop and late-night bookshop gathering by Flip Driest, Cengiz Mengüç and Setareh Noorani
Motormond presents: Un-Grasping Street Culture
A lecture exploring the non-hierarchal design element of the current group show
Pillars of Autumn present: The Gods Must Be Crazy
Join us for a gathering of sound systems at Framer Framed

Network


Musoke Nalwoga

Curator and researcher

Tobi Balogun

Designer & Artist

Walter Götsch

Artist

Wes Mapes

Artist

Lydienne Albertoe

Graphic Designer and Visual Artist

Dion Rosina

Artist

Cédric Kouamé

Photographer and filmmaker

Stephen Tayo

Photographer

Jelmer Teunissen

Designer

Oko Ebombo

Musician and performer

Bodil Ouédraogo

Artist

Kenneth Aidoo

Artist and filmmaker

Setareh Noorani

Architect and researcher

Pris Roos

Artist and researcher

JeanPaul Paula

Creative director and stylist

Cengiz Mengüç

Graphic Designer and Visual Artist

Frédérique Albert-Bordenave

Artist

Narges Mohammadi

Artist and Curator

Rita Ouédraogo

Curator, researcher, anthropologist and programmer

Amal Alhaag

Curator

Magazine