About the part that art plays in a globalising society

Framer Framed

Gentrification

Magazine


Shared Heritage / Gentrification / Podcast /

Discomfort as (curatorial) strategy: A Funeral for Street Culture
Gentrification /

Platform BK: A letter about real estate and the art climate in Amsterdam
Amsterdam Noord / Gentrification /

Unsolicited advice from the Amsterdam Art Council to the Councilor
Amsterdam Noord / Gentrification /

About the future of Framer Framed in the Tolhuistuin, Amsterdam
Amsterdam Noord / Gentrification /

The vanishing art in the Northern district of Amsterdam, by Chris Keulemans
Gentrification / Feminism / Art and Activism /

Artikel: De levensloop van een ideaal. Over de genderpolitiek van de kraakbeweging en het broedplaatsen beleid van de gemeente Amsterdam

Exhibitions


Exhibition: Monuments to the Unsung - Public Art Amsterdam

Part of the collaborative art manifestation Pay Attention Please! in the public space of Amsterdam

Agenda


Workshop: Knitted Together
Protest and Dialogue During the Dutch Housing Crisis
Educational series: Broadcasting from Babylon
On intersectional feminist, queer, and anti-colonial embodied, listening and sounding practices.
Opening: project space Werkplaats Molenwijk
On 30 September Framer Framed heads deeper into ‘the North’, with the opening of a new, second project space: Werkplaats Molenwijk (Workspace Molenwijk)!
Finissage: Monuments to the Unsung - Public Art Amsterdam
The artwork ‘The First Turk Immigrant or the Nameless Heroes of the Revolution’ from Suat Ögüt 'migrates' to project spaceWerkplaats Molenwijk.
Finissage: Monuments to the Unsung
Framer Framed sets in motion one of the works of art: the mobile 'The First Turk Immigrant or the Nameless Heroes of the Revolution' by artist Suat Ögüt 'migrates' from its current location on the IJ-river bank deeper into North, to Molenwijk.
Guided Tour: Art on the Northern IJ-river bank in Amsterdam
In the context of Public Art Amsterdam and Framer Framed's outdoor exhibition 'Monuments to the Unsung'.