Over de rol van kunst in een globaliserende samenleving

Framer Framed

Jay Afrisando, a medium-skin-toned male with bunned hair, sits on outdoor neighborhood concrete steps in a serious pose, with his fingers clasped and arms on his thighs. He wears dark blue jeans, a light gray sweatshirt, and black shoes. Photo: © DAAD Artists-in-Berlin Program / Diana Pfammatter. Jay Afrisando. Photo: © DAAD Artists-in-Berlin Program / Diana Pfammatter.

Aankondiging: Atelier KITLV-Framer Framed kunstenaarsresidentie

Onze verontschuldigingen, dit bericht is alleen beschikbaar in English. Voor het gemak van de kijker, is de inhoud hieronder weergegeven in de alternatieve taal. Je kunt klikken op de link om naar de actieve taal over te schakelen.

KITLV and Framer Framed are delighted to announce Jay Afrisando as the new Atelier KITLV-Framer Framed Artist in Residence. Beginning this fall, the artist will develop a project in collaboration with us in the intersections of activism, art, and archive.
About the Artist in Residence Program

The Atelier KITLV-Framer Framed Artist in Residence program aims to sponsor and support concrete, innovative, provocative, and societally relevant projects. Artists in residence work on urgent topics at the intersection of art and culture, academic research, and scholarship in the field of Southeast Asian and/or Caribbean Studies, and in relation to (post)colonial theory and discourse.

Jay Afrisando

Jay Afrisando is a composer, multimedia artist, researcher, and educator. Through multisensory and antidisciplinary practices, he works on aural diversity, disability, accessibility, and decolonising arts manifested in music-theater, film, installation, witty storytelling, and other genre-bending experiences. Through collaborations with aurally diverse and disabled artists, curators, and communities, his work celebrates neurodivergent, Deaf, and disabled modes of hearing-listening. He treats access as an artistic resource and uses diverse methodologies to center crip practices. His lived experience as a neurodivergent has created intimate relationships that involve cross-media and cross-sensory listening practices.

His works have been presented at various spaces, including daadgalerie (DE), TanzFaktur (DE), ARTJOG (ID), UCSC Institute of the Arts and Sciences (US), Indexical (US), Curb Appeal Gallery (US), Sound Scene at the Smithsonian Hirshhorn Museum (US), HERE Arts Center (US), ARGOS Centre for Audiovisual Arts (BE), and Attenborough Arts Centre (UK), among others. He is a DAAD Artists-in-Berlin Music & Sound Fellow 2024-25, a MAP Fund grantee 2022, and a Jerome Hill Artist Fellow 2021-22. He is currently an Assistant Professor of Music at the University of California, Santa Cruz.

For this edition of the KITLV-Framer Framed Residency, Jay will continue his longstanding research on disability justice in Indonesia. Through research in written and photographic archival collections, he expands his research into the influences of Dutch colonial rule on Indonesian discourses of disability, as well as current government policies affecting disabled people. Jay’s involvement of Indonesian disability communities in further conceptualisation of the project broadens the notion of ‘accessibility’ in the archive through social practice and political engagement.

A tactile graphic score containing 12 sub-images. First row: spiral, heavy short lines and dots, bouncing lines, and an aloe-like shape. Second row: Outer and inner circles, 3-row tiny circles, connected shape of heavy lines and dots, and a wavy line. Third row: a thin-to-heavy curve, a stack of lines, dispersing and clustering grains, and another stack of lines that looks like a fence. Photo credit: Jay Afrisando.

A tactile graphic score containing 12 sub-images. First row: spiral, heavy short lines and dots, bouncing lines, and an aloe-like shape. Second row: Outer and inner circles, 3-row tiny circles, connected shape of heavy lines and dots, and a wavy line. Third row: a thin-to-heavy curve, a stack of lines, dispersing and clustering grains, and another stack of lines that looks like a fence. Photo credit: Jay Afrisando.



Koloniale geschiedenis / Indonesië / Kunst en Activisme / Residenties /

Netwerk


Jay Afrisando, a medium-skin-toned male with bunned hair, sits on outdoor neighborhood concrete steps in a serious pose, with his fingers clasped and arms on his thighs. He wears dark blue jeans, a light gray sweatshirt, and black shoes. Photo: © DAAD Artists-in-Berlin Program / Diana Pfammatter.

Jay Afrisando

Kunstenaar

Magazine


Caraiben / Het levende archief / Koloniale geschiedenis / Open Call / Residenties / Zuidoost-Azië /

Open Call: Atelier KITLV-Framer Framed Artist Residency 2025-2026
Koloniale geschiedenis / Het levende archief / Residenties /

Aankondiging: Atelier KITLV-Framer Framed kunstenaarsresidentie
Het levende archief / Koloniale geschiedenis / Kunst en Activisme / Residenties / Zuidoost-Azië /

Aankondiging: Atelier KITLV-Framer Framed Artist in Residence
Koloniale geschiedenis / Indonesië / Kunst en Activisme / Residenties /

Aankondiging: Atelier KITLV-Framer Framed Artist in Residence
Fotografie: Anoek Steketee
Kunst en Activisme / Action Research / Community & Learning / Residenties /

Atelier KITLV-Framer Framed Artist in Residence: Experimental Knowledge in Art, Activism, and Academia