Over de rol van kunst in een globaliserende samenleving

Framer Framed

Kartono Yudhokusumo

19 apr 2017
18:00 - 20:00

Lezing: Iwan Sewandono – The outframed framed in: modern Indonesian Painters

Locatie: Framer Framed expositieruimte Tijd: 18:00 – 20:00 Taal: Engels Toegang: Gratis


On Wednesday 19 April we present a lecture by anthropologist Iwan Sewandono, on modern Indonesian painters in the Dutch East Indies in the 1930’s and after.

The evening is part of the open lecture series in collaboration with the UvA chair of Dutch-Caribbean Literature, on the influence of colonialism and Dutch imperialism on (the relationship between) literature and visual arts, in connection to the former Dutch colonies.

On the speaker
Iwan Sewandono (1945) was born in Buitenzorg/Bogor, in the then Dutch Indies. Sewandono studied Anthropology in Leiden and Amsterdam, and Public Administation at LSE. He worked in a few universities and as an organisation advisor in governance.

Lecture: “The outframed framed in: modern Indonesian Painters and the European Art Circles in the Dutch East Indies in the 1930’s and after”
In his lecture, Sewandono looks at how politics aiming at the cultural elevation of the European petty bourgeois class in the East Indies colony triggered the rise of modern Indonesian painting, which later contributed to the formation of a national Indonesian identity in the years of revolution and nation building.

His argument focuses on how the colonial art world ‘outframed’ most modern Indonesian artists (1935-1965) and how, in spite of this, several young painters organized in the Persagi group, ingeniously worked their way inside the European art circles, such as the Kunstkring Museum owned by Jeanne de Loos-Haaxman (1881-1976).

First Otto Djaya (1916-2002) and Sudjojono (1913-1986), later followed by the other Persagi members, were allowed to show their work and as autodidacts they took over the techniques of the great European painters in the famous Regnault collection. Later they established themselves in the capital of the revolution, Yogyakarta, at the side of Soekarno. After independence, in the years of Nation Building, president Sukarno (a great artlover and proficient painter himself) eagerly used their contributions to the formation of the national idea. Sewandono will illustrate this by showing and analyzing paintings of several modern Indonesian artists such as Otto Djaya, Sudjojono, Hendra Gunawan and Kartono Yudhokusomo.



Indonesië / Koloniale geschiedenis /

Agenda


Lezing: Paul Faber – Moderne Surinaamse kunst in wording, 1945-1980
Lezing door kunsthistoricus, tentoonstellingsmaker en publicist Paul Faber, over moderne Surinaamse kunst
Lezing: Ellen de Vries – Nola Hatterman en de kunst in Suriname
Lezing door onderzoeker en publicist Ellen de Vries, over het werk van Nola Hatterman in Amsterdam en Suriname
Lezing: Rose Mary Allen – Oral history as autobiography
Lezing door Dr. Rose Mary Allen, over oral history in de context van Curacao
Lezing: Het werk van Patricia Kaersenhout en Charl Landvreugd
Lezingen door kunstenaars Patricia Kaersenhout en Charl Landvreugd, waar zij ingaan op hun werk
Lezing: Gábor Pusztai over het werk van László Székely
Lezing over het werk van kunstenaar László Székely, die woonde en werkte in de voormalige kolonie Nederlands-Indië.
Lezing: Remco Raben – The modern art & literature of the Indies/Indonesia
In zijn lezing gaat Remco Raben in op de culturele discoursen in Indonesië in de jaren '40 en '50
Lezing: Musea en Nederlands-Indië, door Caroline Drieënhuizen
In hoeverre waren musea niet alleen reflectief, maar tevens instrumenteel in het creëren van koloniale wereldbeelden, geschiedenissen en nationale identiteiten?

Magazine