Over de rol van kunst in een globaliserende samenleving

Framer Framed

Jay Afrisando, a medium-skin-toned male with bunned hair, sits on outdoor neighborhood concrete steps in a serious pose, with his fingers clasped and arms on his thighs. He wears dark blue jeans, a light gray sweatshirt, and black shoes. Photo: © DAAD Artists-in-Berlin Program / Diana Pfammatter.
/ Het levende archief / Koloniale geschiedenis /

Interview met kunstenaar Jay Afrisando – KITLV-Framer Framed Residency 2025-26
Museologie / Migratie /

Symposium: Politics of Transmission. The 'Other' subject-object of a European community?
Koloniale geschiedenis /

Exhibition: A Dream of Africa, Images of a Continent at the 'Golden Age' of Colonisation 1920-1940
Global Art History / Zuid-Afrika /

Symposium: Other Views. Art History in (South) Africa and the Global South
Fotografie / Koloniale geschiedenis /

Symposium: UNFIXED, Photography and Postcolonial Perspectives in Contemporary Art
Global Art History /

Symposium: BuitenWesten, niet-westerse kunst uitgelicht
culturele sporen van de koloniale ervaring
Museologie / Collectiebeleid / Gedeeld erfgoed / Koloniale geschiedenis /

Publicatie: Susan Legêne Spiegelreflex
Caraiben /

Marcel Pinas, Kibi Wi Totem op ArtZuid
Hedendaagse Aboriginal kunst /

Exhibition Review: Carnival of Ghostly Delights - by Will Owen
Indonesië / Gedeeld erfgoed / Koloniale geschiedenis / Museologie /

Expositie: Oostwaarts! Kunst, cultuur en kolonialisme
Indonesië / Global Art History / Koloniale geschiedenis /

Expositie: Beyond the Dutch