Over de rol van kunst in een globaliserende samenleving

Framer Framed

Jay Afrisando, a medium-skin-toned male with bunned hair, sits on outdoor neighborhood concrete steps in a serious pose, with his fingers clasped and arms on his thighs. He wears dark blue jeans, a light gray sweatshirt, and black shoes. Photo: © DAAD Artists-in-Berlin Program / Diana Pfammatter.
/ Het levende archief / Koloniale geschiedenis /

Interview met kunstenaar Jay Afrisando – KITLV-Framer Framed Residency 2025-26
Collectiebeleid / Museologie / Queer /

Verslag: How to Un/Engender the Ethnographic Object?
Palestina / Curatorial Text /

Opening speech HOME, door curator Meta Knol
Hedendaagse Aboriginal kunst / Collectiebeleid / Museologie /

Verslag: On the future of the AAMU collection and the outlook of contemporary Aboriginal art
Fotografie / Gedeeld erfgoed / Koloniale geschiedenis / Suriname /

Verslag: Sara Blokland on Srefidensi and Reproduction of Family
Collectiebeleid / Global Art History / Hedendaagse Aboriginal kunst /

Videoregistratie: symposium 'In the future everything remains uncertain'
Indonesië / Gedeeld erfgoed / Koloniale geschiedenis /

Verslag: Modern Indonesian painters in revolution and nation building
Migratie / Social Practice /

Recensie: On the practices and responsibilities of socially engaged art
Oral History / Caraiben / Het levende archief / Migratie /

Verslag: Exploring oral history as autobiography in the Curaçaoan context
Migratie / Ecologie / Extractivisme / Performance /

Interview: Kunstenaar Tuan Mami
As If, banner aan het IJ, Amsterdam
Nieuwe media / Politiek en technologie /

Interview: Curatoren van tentoonstelling As If, Annet Dekker, David Garcia en Ian Alan Paul