About the part that art plays in a globalising society

Framer Framed

  • Noord
  • From what will we reassemble ourselves (2020). Photo: © Eva Broekema / Framer Framed
    Anna Dasović, 'Before the fall, there was no fall. Episode 01: Raw material' (2019). Foto: © Eva Broekema / Framer Framed
    Marko Peljhan - Territory 1995 (2009-2010). Foto: © Eva Broekema / Framer Framed
    From What We Will Reassamble Ourselves (2020)
    Marko Peljhan - Territory 1995 (2009-2010). Foto: © Eva Broekema / Framer Framed
    Facing Srebrenica Project - Facing Srebrenica and the Future of Memory in Europe (2020), foto:  © Eva Broekema / Framer Framed
    Balkangreuel
    From What We Will Reassamble Ourselves (2020)
    Selma Selman - Superpositional Intersectionalism (2020), foto:  © Eva Broekema / Framer Framed
    Hito Steyerl - Journal No. 1 - An Artist's Impression (2007), foto: © Eva Broekema / Framer Framed
    Ana Hoffner Ex-Prvulovic - Transferred Memories - Embodies Documents (2014), foto: © Eva Broekema / Framer Framed
    Marko Peljhan - Territory 1995 (2009-2010). Foto:  © Eva Broekema / Framer Framed
    Arna Mackic exhibition design 'From what will we reassemble ourselves' (2020). Foto: Eva Broekema / Framer Framed

    6 Sep –
    10 Jan 2021

    Exhibition: From what will we reassemble ourselves

    From what will we reassemble ourselves brings together six contemporary artists, a team of researchers, and an architect to consider a crucial question posed by Croatian-Bosnian author Jozefina Dautbegović: from what fragments – images, stories, archives, historical scraps – does one represent a life in the wake of genocide?

    With works by
    Lana Čmajčanin
    Anna Dasović
    Ana Hoffner ex-Prvulovic
    Arna Mačkić
    Marko Peljhan
    Selma Selman
    Hito Steyerl
    Facing Srebrenica Project

    The exhibition positions the genocide that took place in and around Srebrenica, in Bosnia and Herzegovina, 25 years ago as a historical moment connecting all the artworks presented. Each perspective represented in the exhibition offers pieces toward the reassembly – towards reimagining – of the memory of violence and loss, acknowledging that lives continued to be lived in spite of that violence.

    From what will we reassemble ourselves invites the viewer to both identify with and scrutinise the position of the bystander to genocidal violence – the one who is often neglected by the historical frame, or who remains unmarked, yet whose witnessing continues to be mediated through representation.

    Installation design Arna Mačkić. Photo: Eva Broekema / Framer Framed


    Digital Archive

    Access our digital archive with online content of From what will we reassemble ourselves. Due to the closures during the 2020 Corona lockdowns in the Netherlands, Framer Framed has built up and archived content and events that you can access online. Although it is almost impossible to capture the experience of visiting an exhibition or the feeling of seeing the actual artworks, we’ve tried to make the exhibition as much as possible online accessible.

    Check the Digital Archive here,
    Read the online catalogue here or,
    Check out the virtual tours here.


    Reviews

    Read these great reviews about our exhibitions From what will we reassemble ourselves and Temporary Monument – Srebrenica is Dutch history in some of the Dutch media and online platforms: Jegens & Tevens, Het Parool, Volkskrant, Mister Motley, Trouw, De Kunstmeisjes and De Wittle Raaf.

    Additionally independent researcher and art writer Nesli Gül Durukan spoke with the curator Natasha Marie Llorens. Read the interview featured on the Metropolis M – magazine.


    Opening
    5 September – 17:00 & 19:00 (Reservation only)

    Exhibition Dates
    6 Sept – 10 Jan 2021 (Tue-Sun 12:00-18:00)

    Location
    Framer Framed
    Oranje-Vrijstaatkade 71
    1093 KS Amsterdam

    Virtual tours
    https://vimeo.com/

    Credits
    A group exhibition conceived by Anna Dasović and curated by Natasha Marie Llorens. Exhibition design by Studio L A and Arna Mačkić. The title of the exhibition is derived from Jozefina Dautbegović’s poem The Unidentified (2003).

    Supported by
    Ministerie van Onderwijs, Cultuur en Wetenschap, Amsterdams Fonds voor de Kunst (AFK), Gemeente Amsterdam- Stadsdeel Oost, Mondriaan Fonds.

    Special thanks to
    Van Abbemuseum



    Conflict / Diaspora / Transitional Justice /

    Exhibitions


    Exhibition: Temporary Monument - Srebrenica is Dutch history

    By Bosnian Girl

    Agenda


    Online Film Program: Damir Avdagić
    Online Film Program with Curator Natasha Marie Llorens
    Online Film Program: Dania Reymond
    Online Film Program with Curator Natasha Marie Llorens
    Online Film Program: Selma Selman
    Online Film Program with Curator Natasha Marie Llorens
    Opening: From what will we reassemble ourselves & Temporary Monument
    Double Exhibition Opening with Anna Dasović and Natasha Marie Llorens

    Network


    Arna Mačkić

    Architect

    Anna Dasović

    Artist

    Guido Snel

    Researcher

    Erna Rijsdijk

    Researcher

    Hito Steyerl

    Artist

    Selma Selman

    Artist

    Marko Peljhan

    Artist

    Lana Čmajčanin

    Artist

    Ana Hoffner

    Artist, researcher and writer

    Natasha Marie Llorens

    Independent curator and writer

    Magazine