About the part that art plays in a globalising society

Framer Framed

Ruben Pater

Ruben Pater – an Amsterdam based Dutch designer — has a mission to create visual narratives about complex political issues. By visually translating stories that are untold because they are sensitive or unprofitable, Ruben Pater aims to activate the public interest. As ‘untold stories’ his projects create new relations between journalism and design. His ‘Drone Survival Guide’ received wide attention in 2013 as an educational tool on drones, functioning as a political statement. Other projects are ‘the First Dutch Flood Manual’ (2011), a research into disaster communication in times of climate change, and ‘Double Standards’ (2012), a research about maritime trade and Somali piracy.

He studied graphic design in Breda, and later at the graphic design master programme of the Sandberg institute in Amsterdam. He is teaching at the communication department of the Design Academy in Eindhoven. In 2016 his publication Politics of design, a (not so) global manual for visual communication was published by BIS Publishers in the Netherlands. Currently he is working on a citizen journalism project in countries with censorship, and a series of educational puzzles about the NSA leaks for the Dutch newspaper NRC next.

For Framer Framed he was responsible for the graphic design and identity of the exhibition As If – The Media Artist as Trickster (2017). The exhibition continued under the title How Much of this is Fiction at FACTFoundation for Art and Creative Technology in Liverpool (UK) and HeK, House of Electronic Arts in Basel (CH).


Exhibitions


Exhibition: As If – The Media Artist as Trickster

On politically inspired media art that uses deception in all its forms. Curated by Annet Dekker and David Garcia i.c.w. Ian Alan Paul

Exhibition: Crisis of History #2 – Fight History

Curated by Robert Kluijver

Agenda


Kunstlicht presents: ‘Cultural Policies: Agendas of Impact’
Presentation of Kunstlicht issue, 'Cultural Policies: Agendas of Impact'
PRIVATE
On the intersection of technology, privacy and body politics