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Framer Framed

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  • Ashley Maum

    Ashley Maum (United States) works at Framer Framed on exhibitions, publications and research. She has extensive experience in artistic project development and editing.

    She has a bachelor’s degree in Political Science and Art History from Wesleyan University in the US. Ashley completed her master’s in Museum Studies at the University of Amsterdam (UvA) with a thesis exploring art spaces as sites of activist intervention and imagination.

    Ashley has worked closely on numerous exhibitions at Framer Framed, among them the Court for Intergenerational Climate Crimes (2022) by Radha D’Souza and Jonas Staal, Performing Colonial Toxicity (2023) by Samia Henni, and Between Fires: Irradiated Imaginations and Anti-Nuclear Solidarities (2026) in collaboration with the Sonic Acts Biennial.

    She was previously an editor at Errant Journal. In addition to Framer Framed’s exhibition catalogues, Ashley has edited the publications   Two Diaries (2023), Notes to Other Futures (2026) and the CICC book (2024) in which she contributed the article ‘From the Court for Intergenerational Climate Crimes: The Lives and Deaths of Oil’, previously published in Kunstlicht Magazine issue The Worldliness Oil.

    Ashley was one of the coordinators of Planetary Poetics, a master’s programme of Framer Framed and the Sandberg Institute that enables participants to develop artistic research exploring key concepts of the ecological crisis, including questions of climate justice, land restitution and reparations, reproductive justice, and constellations of co-resistance.


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