About the part that art plays in a globalising society

Framer Framed

Jay Afrisando, a medium-skin-toned male with bunned hair, sits on outdoor neighborhood concrete steps in a serious pose, with his fingers clasped and arms on his thighs. He wears dark blue jeans, a light gray sweatshirt, and black shoes. Photo: © DAAD Artists-in-Berlin Program / Diana Pfammatter.
/ The living archive / Colonial history /

Interview with Jay Afrisando – KITLV-Framer Framed Artist Residency 2025-26
Contemporary Aboriginal art / Art economy / Museology /

Article: Why the closure of the Museum of Contemporary Aboriginal Art is an eternal shame
The living archive /

Recensie: Een nieuwe kijk op je eigen historie. Een bespreking van de tentoonstelling 'Simuda Nyuma'
South Africa / Colonial history /

Review: 'Re(as)sisting Narratives' - A Group Exhibition at Framer Framed, Amsterdam
Zanele Muholi - Miss D'vine I (2007), collectie Museum Arnhem
Collection development / Photography /

Review: Identity in the age of globalism. A review of the exhibition 'What We Have Overlooked'
Education / South Africa /

Face to Face - A digital art exchange project between the Netherlands and South Africa
/

NRC - 'Weg met stempel ‘cultureel divers’
Colonial history / The living archive / Contested Heritage / South Africa /

Re(as)sisting Narratives: Exploring The Past To Write The Future
South Africa / Colonial history /

Interview: Chandra Frank in conversation with Toni Stuart
Contested Heritage / Collectives / South Africa /

Interview with the Burning Museum Collective
Art economy /

Advice Dutch Culture Council: Framer Framed in BIS subsidy plan 2017-2020