About the part that art plays in a globalising society

Framer Framed

Jay Afrisando, a medium-skin-toned male with bunned hair, sits on outdoor neighborhood concrete steps in a serious pose, with his fingers clasped and arms on his thighs. He wears dark blue jeans, a light gray sweatshirt, and black shoes. Photo: © DAAD Artists-in-Berlin Program / Diana Pfammatter.
/ The living archive / Colonial history /

Interview with Jay Afrisando – KITLV-Framer Framed Artist Residency 2025-26
Museology / Migration /

Symposium: Politics of Transmission. The 'Other' subject-object of a European community?
Colonial history /

Exhibition: A Dream of Africa, Images of a Continent at the 'Golden Age' of Colonisation 1920-1940
Global Art History / South Africa /

Symposium: Other Views. Art History in (South) Africa and the Global South
Photography / Colonial history /

Symposium: UNFIXED, Photography and Postcolonial Perspectives in Contemporary Art
Global Art History /

Symposium: BuitenWesten; niet westerse kunst uitgelicht
culturele sporen van de koloniale ervaring
Museology / Collection development / Shared Heritage / Colonial history /

Publication: Susan Legêne, Spiegelreflex
Caribbean /

Installation: Marcel Pinas, Kibi Wi Totem at ArtZuid
Contemporary Aboriginal art /

Exhibition Review: Carnival of Ghostly Delights - by Will Owen
Indonesia / Shared Heritage / Colonial history / Museology /

Exhibition: Eastward Bound! Art, Culture and Colonialism
Indonesia / Global Art History / Colonial history /

Exhibition: Beyond the Dutch