About the part that art plays in a globalising society

Framer Framed

Jay Afrisando, a medium-skin-toned male with bunned hair, sits on outdoor neighborhood concrete steps in a serious pose, with his fingers clasped and arms on his thighs. He wears dark blue jeans, a light gray sweatshirt, and black shoes. Photo: © DAAD Artists-in-Berlin Program / Diana Pfammatter.
/ The living archive / Colonial history /

Interview with Jay Afrisando – KITLV-Framer Framed Artist Residency 2025-26
Shared Heritage / Curatorial Text / Gentrification /

Discomfort as (curatorial) strategy: A Funeral for Street Culture
Edine Célestin
Caribbean / Conflict / Photography /

Edine Célestin' Essay to accompany 'KAZAL - Narrating Haitian Memories'
Court for Intergenerational Climate Crimes Framer Framed
CICC / Ecology / Extractivism / Art and Activism /

Report: The CICC, a DIY Court for Climate Crimes
Photography / Caribbean / Conflict / Contested Heritage /

The Camera as Embodied Knowledge
Citizenship / Art and Activism / Political Climate /

Interview: Thais Di Marco on Neoliberalism and the Arts
Action Research / Community & Learning / Diaspora / Shared Heritage / Colonial history / South Africa /

Report: Decolonial Futures Winter School
Amsterdam Noord / Community & Learning / Shared Heritage / Migration / Molenwijk / Social Practice / Textile /

Wandkleed De Molenwijk
Community & Learning / Action Research / Migration /

Spaces of Belonging for Undocumented Migrants
Queer / Community & Learning /

“Ever tried? Ever failed? No matter. Try again. Fail again. Fail better”
Artist Talk / Community & Learning / Molenwijk / Residencies / Social Practice /

Interview: Extraordinary Twists in Molenwijk with Anan Striker