1mei

Framer Framed at the Tolhuistuin, Amsterdam

A new multi art venue in Amsterdam

From 2014 Framer Framed has settled down in the Tolhuistuin in Amsterdam. The Tolhuistuin is a new multi art complex due to open spring 2014. It aims to be a free space for arts & culture.
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6jun

Conference: Innovate Heritage – Conversations between Arts and Heritage

Belin, Germany, 6-8 June 2014

Through lectures, panel discussions, exhibitions, performances, screenings and workshops, Innovate Heritage provides a platform to explore relationships and foster dialogue, promote creative approaches to theoretical and practical issues, and to enhance collaboration between the arts and heritage.
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Review: Contemporary Iranian art speaks from the heart

A review of the exhibition 'Speaking from the Heart' by Aya Johanna Daniëlle Dürst Britt

During World War II, the third floor of the building at Herengracht 401 in the Dutch capital of Amsterdam hid a number of German-Jewish artists behind its facade. Today, the post-war art venue Castrum Peregrini that was founded subsequently offers a temporary shelter to the regime-critical contemporary artwork of over twenty Iranian..
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(Dutch) Verhalenhuis Belvédère, Rotterdam – Huis voor Immaterieel Erfgoed

Sorry, this entry is only available in Dutch.
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Documentary: !Women Art Revolution: asking and telling about the Feminist Art Movement

A review by Anne van Dam

The documentary is a record of the Feminist Art Movement that shows the context, struggles, and diversity of a movement that tried to change the established art world. From the 1960’s onward, the Feminist Art Movement challenged the dominant white male hegemony that commanded the art world at large and which structurally excluded women artists and female..
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Symposium: Landings – confrontation and confession

Stedelijk Museum, Amsterdam, the Netherlands January 11 - 12, 2014

The Stedelijk Museum (Amsterdam) is proud to present a two-day Public Program as part of the ongoing research project Landings, which explore the role of land as a concrete and narrative element — engaging its terrain, resources, (de)colonization, and cultural circulation, while also outlining the geographic imperative of capital.
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