Over de rol van kunst in een globaliserende samenleving

Framer Framed

  • Noord
  • Tadáskía - 'to show to hide' Exhibition 'The Silence of Tired Tongues' by Raphael Fonseca. Photo: © Maarten Nauw / Framer Framed
    Opening 'The Silence of Tired Tongues' (2021), Curator Raphael Fonseca © Maarten Nauw / Framer Framed

    23 Apr 2022
    19:00 - 21:00

    Opening: The Silence of Tired Tongues

    Onze verontschuldigingen, dit bericht is alleen beschikbaar in English. Voor het gemak van de kijker, is de inhoud hieronder weergegeven in de alternatieve taal. Je kunt klikken op de link om naar de actieve taal over te schakelen.

    Framer Framed opens with a new exhibition on the 23rd of April!
    The Silence of Tired Tongues, curated by Raphael Fonseca, presents the works of thirteen emerging artists born in Brazil. Participating artists; Julia Arbex, Aline Baiana, Arthur Chaves, Vitória Cribb, Benedito Ferreira, Estêvão Parreiras, Luana Vitra and Curator Raphael Fonseca will be present during the opening.

    Exhibition Opening ‘The Silence of Tired Tongues’ by Raphael Fonseca – Photo: © Maarten Nauw / Framer Framed

    Exhibition Opening
    23 April 2022, 19:00 – 21:00

    Artists

    Julia Arbex, Aline Baiana, Sofia Caesar, Arthur Chaves, Vitória Cribb, Benedito Ferreira, Rodrigo Martins, Estêvão Parreiras, Tiago Sant’Ana, Tadáskía, Wisrah Villefort, Luana Vitra, Yuli Yamagata

    Curator: Raphael Fonseca
    Exhibition Design: Juliana Prado Godoy


    About the Exhibition

    The Silence of Tired Tongues, curated by Raphael Fonseca, presents the works of thirteen emerging artists born in Brazil. The artworks in the group exhibition bring together a sense of ‘saudade’, which can be translated as a mixture of melancholy and longing. The exhibition’s title comes from a popular song recorded in 1972 by the legendary singer Elis Regina, titled Casa no campo (House in the country) and composed by Tavito and Zé Rodrix. The lyrics are an elegy to quietness in a world that was already in a state of excessive turmoil — during that period Brazil was under an oppressive military dictatorship.

    Benedito Ferreira – ‘Despertáculo’, Exhibition Opening ‘The Silence of Tired Tongues’ by Raphael Fonseca. Photo: © Maarten Nauw / Framer Framed

    The song becomes relevant again fifty years later, in part because of a political climate defined by exclusion, oppression and exploitation. Still, this title echoes an existential view — who among us, globally, isn’t weary from the unrest we have both experienced and witnessed in recent years?

     

    The Silence of tired Tongues invites both artists and the public to think with silence and tiredness in bursts of colours, words, and narratives made of moving image and sound.


    Supported by
    Ministerie van Onderwijs, Cultuur en Wetenschap; Amsterdams Fonds voor de Kunst; Stadsdeel Oost.



    Politiek Klimaat / Ecologie / Extractivisme / Koloniale geschiedenis /

    Exposities


    Image for the exhibition The silence of tired tongues at Framer Framed

    Expositie: The Silence of Tired Tongues

    Hedendaagse kunst en Brazilië

    Netwerk


    Arthur Chaves

    Kunstenaar

    Vitória Cribb

    Ontwerper & kunstenaar XR
    Julia Arbex

    Julia Arbex

    Kunstenaar

    Luana Vitra

    Kunstenaar

    Benedito Ferreira

    Beeldend kunstenaar en onderzoeker

    Estêvão Parreiras

    Kunstenaar

    Raphael Fonseca

    Curator, onderzoeker

    Aline Baiana

    Kunstenaar

    Magazine