Over de rol van kunst in een globaliserende samenleving

Framer Framed

Rini Rindawati, a medium-skin-toned woman, sits cross-legged on an outdoor concrete floor with a bike rack as her visual frame. She wears a purple hijab and tunic. Her crutch lies beside her. Rini Rindawati, a medium-skin-toned woman, sits cross-legged on an outdoor concrete floor with a bike rack as her visual frame. She wears a purple hijab and tunic. Her crutch lies beside her.

Rini Rindawati

Onze verontschuldigingen, dit bericht is alleen beschikbaar in English. Voor het gemak van de kijker, is de inhoud hieronder weergegeven in de alternatieve taal. Je kunt klikken op de link om naar de actieve taal over te schakelen.

Woman with Physical Disability. Crutches User. Breast Cancer Survivor. She graduated from the Faculty of Law UGM and Continuing Legal Education for Advocats UII. She has worked as a staff member at SAPDA (Centre for Advocacy of Women, Disabled, and Children—a national NGO in Yogyakarta) since 2014 to the present. Aside from providing advocacy in violence cases against women with disabilities, she is also actively involved in advocating for accessibility in courts of law, reproductive health, and sexual rights.


Agenda


Dark background with alt-text in light blue font: sound of an enthusiastic convo in signed and spoken languages discussing the future of archive and collective reimagination.

Call and Response: Archive and Counterarchive

Panel discussion on archival research which explores the impact of Dutch colonialism on disabled/difabel people in Indonesia together.