About the part that art plays in a globalising society

Framer Framed

Jay Afrisando, a medium-skin-toned male with bunned hair, sits on outdoor neighborhood concrete steps in a serious pose, with his fingers clasped and arms on his thighs. He wears dark blue jeans, a light gray sweatshirt, and black shoes. Photo: © DAAD Artists-in-Berlin Program / Diana Pfammatter.
/ The living archive / Colonial history /

Interview with Jay Afrisando – KITLV-Framer Framed Artist Residency 2025-26
Collection development / Museology / Queer /

Report: How to Un/Engender the Ethnographic Object?
Palestine / Curatorial Text /

Opening speech HOME, by curator Meta Knol
Contemporary Aboriginal art / Collection development / Museology /

Report: On the future of the AAMU collection and the outlook of contemporary Aboriginal art
Photography / Shared Heritage / Colonial history / Suriname /

Report: Sara Blokland on Srefidensi and Reproduction of Family
Collection development / Global Art History / Contemporary Aboriginal art /

Video: symposium 'In the future everything remains uncertain'
Indonesia / Shared Heritage / Colonial history /

Report: Modern Indonesian painters in revolution and nation building
Migration / Social Practice /

Review: On the practices and responsibilities of socially engaged art
Oral History / Caribbean / The living archive / Migration /

Report: Exploring oral history as autobiography in the Curaçaoan context
Migration / Ecology / Extractivism / Performance /

Interview: Artist Tuan Mami
As If, banner aan het IJ, Amsterdam
New media / Politics and technology /

Interview: Curators of exhibition As If, Annet Dekker, David Garcia and Ian Alan Paul