About the part that art plays in a globalising society

Framer Framed

Jay Afrisando, a medium-skin-toned male with bunned hair, sits on outdoor neighborhood concrete steps in a serious pose, with his fingers clasped and arms on his thighs. He wears dark blue jeans, a light gray sweatshirt, and black shoes. Photo: © DAAD Artists-in-Berlin Program / Diana Pfammatter.
/ The living archive / Colonial history /

Interview with Jay Afrisando – KITLV-Framer Framed Artist Residency 2025-26
Werkplaats Molenwijk
Education / Community & Learning / Feminism / Photography /

The City is Ours - Art Education between The Netherlands en Tunis
Diaspora /

Diasporic Self: Black Togetherness as Lingua Franca - by Olave Nduwanje
Southeast Asia / Extractivism / Photography /

Review: Art Asia Pacific - UnAuthorised Medium
The living archive / Queer / Turkey /

Review: House of Wisdom and its unpalatable foreigners - by Cüneyt Çakırlar
Gentrification / Art economy /

Letter: Platform BK - A letter about real estate and the art climate in Amsterdam
Amsterdam Noord / Art economy / Gentrification /

Unsolicited Advice: from the Amsterdam Art Council to the Councilor
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For Framer Framed it all revolves around telling a different story
Extractivism / Colonial history / Contested Heritage /

Review: Sammy Baloji. A Blueprint for Toads and Snakes
Amsterdam Noord / Art economy / Gentrification /

Statement: About the future of Framer Framed in the Tolhuistuin, Amsterdam
Amsterdam Noord / Gentrification / Art in Public Space /

The vanishing art in the Northern district of Amsterdam, by Chris Keulemans