About the part that art plays in a globalising society

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Vinca Kruk

Vinca Kruk (Leiden, 1980) is a co-founder of Metahaven, an Amsterdam-based artist collective working in filmmaking, writing, and design.

Metahaven’s film works include Capture (2022), Chaos Theory (2021), Hometown (2018), Eurasia (Questions on Happiness) (2018), and Information Skies (2016). Their books include PSYOP: An Anthology (2018, co-edited by Karen Archey), Digital Tarkovsky (2018), and Uncorporate Identity (2010, edited with Marina Vishmidt).

The Feeling Sonnets (Transitional Object) (2024) is Metahaven’s forthcoming film on poetry and AI, based on a poetry collection by Eugene OstashevskyMetahaven’s new book, on the future of the beholder’s share in art, is out with Verso in Spring 2025.

Metahaven has presented solo exhibitions at MoMA PS1, New York, Guggenheim Museum Bilbao, ICA London, Stedelijk Museum Amsterdam, Yerba Buena Center for the Arts, San Francisco, Asakusa, Tokyo, Izolyatsia, Kyiv, e-flux, New York, Tick Tack, Antwerp, and State of Concept Athens, among others, as well as participated in group exhibitions at Artists Space, New York, the Museum of Modern Art Warsaw, the Gwangju Biennale, the Sharjah Biennial, the Busan Bienniale, Ghost:2561, Bangkok, and many others.

Metahaven are artistic advisors at Rijksakademie, affiliate researchers at Antikythera, and heads of department at the Master Geo-Design at Design Academy Eindhoven (DAE).