About the part that art plays in a globalising society

Framer Framed

Jay Afrisando, a medium-skin-toned male with bunned hair, sits on outdoor neighborhood concrete steps in a serious pose, with his fingers clasped and arms on his thighs. He wears dark blue jeans, a light gray sweatshirt, and black shoes. Photo: © DAAD Artists-in-Berlin Program / Diana Pfammatter.
/ The living archive / Colonial history /

Interview with Jay Afrisando – KITLV-Framer Framed Artist Residency 2025-26
South Africa / Shared Heritage / Colonial history /

Interview with Judith Westerveld about her work 'The Remnant'
Curatorial Text / Global Art History /

A conversation between Mirjam Westen and Josien Pieterse about the exhibition 'What We Have Overlooked'
Migration /

Review: exhibition Voices Outside the Echo Chamber (Dutch)
Colonial history / Museology /

Symposium: Decolonize The Museum
Extractivism /

Interview: Artist Hadassah Emmerich
Extractivism / Curatorial Text /

Curatorial statement: Lene ter Haar on the exhibition Koempels
Community & Learning / New Museology / Open Call /

We Curate - Naar een participatieve en inclusieve tentoonstellingspraktijk
Politics and technology /

Report: event #PRIVATE
Feminism / Caribbean / Diaspora / Photography / Queer /

Article: Multiversum, a reflection upon the exhibition 'Embodied Spaces'
Feminism / Queer /

Reflection: Filthy Mouth, Dirty Politics: Language, Gender and Digital Spaces