About the part that art plays in a globalising society

Framer Framed

Bernice Vreedzaam. Photo: © Geert Jan Mulder Bernice Vreedzaam. Photo: © Geert Jan Mulder

Bernice Vreedzaam

Bernice Vreedzaam (Paramaribo, 1972) writes in many different forms, whether it concerns reserved haiku, audio stories or cinepoetry. Her work moves between god and human, actuality and history, scholarly curiosity and raw grief, Surinamese polyphonic loudness and meditative silence. She enjoys setting up projects wherein she deploys language as a medium for connection. In her poetry debute De vogelgrens oversteken (2025), Vreedzaam shows in how many layers and countries of world history Suriname’s 50 years of independence continues to have an impact, through her own family history and that of the Maroons.


Agenda


Cover of Slavery in the Cultural Imagination: Debates, Silences, and Dissent in the Neerlandophone Space (2025). Artwork on cover: Dion Rosina - Is it a Dream? (2023)

Symposium: Cultural Imagination and the Legacy of Colonialism

This event features creative and scholarly work that engages with the legacies of colonialism and push for social and cultural change