Over de rol van kunst in een globaliserende samenleving

Framer Framed

Samah Hijawi

Onze verontschuldigingen, dit bericht is alleen beschikbaar in English. Voor het gemak van de kijker, is de inhoud hieronder weergegeven in de alternatieve taal. Je kunt klikken op de link om naar de actieve taal over te schakelen.

Samah Hijawi is a multimedia artist, writer and astrologer. Her projects are deeply rooted in historical narratives which are used to re-imagine our contemporary life beyond the radicalized and polarized discourses that direct our lives today. In her recent project Kitchen. Table., she researches the histories and cosmologies of the food on our tables. She recently completed a PhD in Art Practice titled Chicken Scribbles and the Dove that Looks Like a Frog, where she explored deconstructing colonial representations of Palestine through performance and collage. This gave birth to a curated and pedagogical project titled Aesthetics of the Political, that explored how artists materialise their political ideas and positions into aesthetic form. In her past life, she collaborated with Ola El-Khalidi and Diala Khasawneh in directing Makan (2003-2016), an independent space for contemporary art in Amman, Jordan. And together with Shuruq Harb and Toleen Touq she co-curated the platform The River has Two Banks (2012-2017), initiated to address the distances and proximities between Jordan and Palestine. In 2023, she joined DAS Theatre at the Academy of Theatre and Dance, Amsterdam as a tutor.


Agenda


A Blow to the Snake Here: A conversation around Indigenous and Palestinian struggles
Een gesprek over kunst, verzet en solidariteit als onderdeel van Leanne Betasamosake Simpson's residentie aan de Academie voor Theater en Dans