Bahar Noorizadeh. Courtesy of the artist Bahar Noorizadeh
Bahar Noorizadeh examines the relationship between art and capitalism and their entangled moral, social and organisational technologies. In her practice as an artist, theorist and filmmaker, she investigates the histories and the futures of economics, from ancient monetary systems to cybernetic socialism and neoliberal finance, and the techno-fictions underpinning geopolitical relations and logistical infrastructures. Noorizadeh is the founder and organiser of Weird Economies, a multi-authoured platform dedicated to radical economic imaginaries.
Her work has appeared at the Guggenheim Museum NYC (2024), Taipei Biennial (2023), Venice Architecture Biennial (2021), Transmediale Festival (2020, 2022), Tate Modern Artists’ Cinema Program (2018) and Geneva Biennale of Moving Images (2018) among others. She is the co-editor of the e-flux special issue on Iran (May 2024) and has contributed essays to n+1, e-flux Architecture, Journal of Visual Culture, and Sternberg Press; and anthologies by Duke University Press and MIT Press. Noorizadeh completed a PhD in Art at Goldsmiths, University of London. She is currently teaching in MA Geo-Design at the Design Academy Eindhoven and is a resident artist at the Rijksakademie (2026-2027).
Exposities
