Over de rol van kunst in een globaliserende samenleving

Framer Framed

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  • Life After Love (2026). Graphic Design: Farah Fayyad

    30 Oct –
    17 Jan 2027

    Exhibition: Life After Love – In Search of the Militant Image

    Onze verontschuldigingen, dit bericht is alleen beschikbaar in English. Voor het gemak van de kijker, is de inhoud hieronder weergegeven in de alternatieve taal. Je kunt klikken op de link om naar de actieve taal over te schakelen.

    On show at Framer Framed from 30 October 2026 to 17 January 2027, Life After Love is an exhibition curated by Hera Chan and Edwin Nasr that surveys how the visual grammar of militancy has shifted across the global uprisings of the past decade. It traces resonances between struggles that have unfolded from Hong Kong to Beirut, and from Yangon to Jenin, bringing together artists, cultural workers and community organisers.

    The exhibition asks what the changing forms of political struggle reveal about the changing forms of image-making. If the militant image of the twentieth century emerged alongside mass party politics, anti-colonial liberation movements and the project of revolutionary cinema, what becomes of that tradition within a conjuncture shaped by digital platforms, algorithmic circulation and decentralised forms of political organising?

    Life After Love approaches the militant image as a historical category, which has always depended upon particular forms of mediation. Earlier traditions of militant image-making were sustained by formations capable of producing and circulating images in the name of a collective political subject. Their ambitions were inseparable from the infrastructures through which they moved and the revolutionary horizons they sought to cultivate.

    Contemporary uprisings unfold under markedly different terms. Images now circulate across encrypted messaging applications, social media feeds and informal digital networks whose logics reshape our visibility and attention. Often produced by those embedded within the events themselves, they move rapidly between testimony, tactical communication and affective expression. Their aesthetic form bears the imprint of the political moment from which they emerge: anonymity, spontaneity and opacity become qualities inscribed within the images.

    Rather than asking whether the militant image survives in the present, Life After Love asks how its political function has been transformed, and what this transformation discloses about the actuality of struggle. The works assembled here reflect upon the conditions through which images are produced, circulated, appropriated and contested. Many emerge from practices situated alongside political organising, mutual aid and community work, where cultural production unfolds in close proximity to lived struggle and the imperative of internationalist solidarity. Taken together, they invite viewers to consider the militant image in the present tense and the forms through which emancipatory futures become thinkable.

    Participating Artists
    Basel Abbas & Ruanne Abou-Rahme
    Haig Aivazian
    Isshaq Albarbary
    Hannah Black
    Nolan Oswald Dennis
    Chaw Ei Thein
    Giraffe Leung
    Yoshua Okón & Juan Obando
    Bahar Noorizadeh
    Sawangwongse Yawnghwe

    Curators
    Hera Chan and Edwin Nasr

    Spatial Design
    Ali T. As’ad

    Graphic Design
    Farah Fayyad

    Opening
    30 October 2026, 18:00-20:00
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    Info & Credits


    Opening Times

    30 October 2026 – 17 January 2027
    Tue – Sun, 12:00-18:00

    Location
    Framer Framed
    Oranje-Vrijstaatkade 71
    1093KS, Amsterdam
    The Netherlands

    Free entry, pay what you can.

    Framer Framed is supported by the Ministry of Education, Culture and Science; Amsterdam Fund for the Arts; and the Municipality of Amsterdam.

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