Life After Love (2026). Graphic Design: Farah Fayyad 30 Oct –
17 Jan 2027
Exhibition: Life After Love – In Search of the Militant Image
On show at Framer Framed from 30 October 2026 to 17 January 2027, the exhibition Life After Love: In Search of the Militant Image surveys how the visual grammar of militancy has shifted across the global uprisings of the past decade. Curated by Hera Chan and Edwin Nasr, the exhibition traces resonances between struggles that have unfolded from Hong Kong to Beirut, and from Yangon to Jenin, bringing together artists, cultural workers and community organisers.
Life After Love asks what the changing forms of political struggle reveal about the changing forms of image-making. If the militant image of the twentieth century emerged alongside mass party politics, anti-colonial liberation movements and the project of revolutionary cinema, what becomes of that tradition within a conjuncture shaped by digital platforms, algorithmic circulation and decentralised forms of political organising?
The exhibition approaches the militant image as a historical category, which has always depended upon particular forms of mediation. Earlier traditions of militant image-making were sustained by formations capable of producing and circulating images in the name of a collective political subject. Their ambitions were inseparable from the infrastructures through which they moved and the revolutionary horizons they sought to cultivate.
Contemporary uprisings unfold under markedly different terms. Images now circulate across encrypted messaging applications, social media feeds and informal digital networks whose logics reshape our visibility and attention. Often produced by those embedded within the events themselves, they move rapidly between testimony, tactical communication and affective expression. Their aesthetic form bears the imprint of the political moment from which they emerge: anonymity, spontaneity and opacity become qualities inscribed within the images.
Rather than asking whether the militant image survives in the present, Life After Love asks how its political function has been transformed, and what this transformation discloses about the actuality of struggle. The works assembled here reflect upon the conditions through which images are produced, circulated, appropriated and contested. Many emerge from practices situated alongside political organising, mutual aid and community work, where cultural production unfolds in close proximity to lived struggle and the imperative of internationalist solidarity. Taken together, they invite viewers to consider the militant image in the present tense and the forms through which emancipatory futures become thinkable.
Participating Artists
Basel Abbas & Ruanne Abou-Rahme
Haig Aivazian
Isshaq Albarbary
Hannah Black
Nolan Oswald Dennis
Chaw Ei Thein
Giraffe Leung
Bahar Noorizadeh
Yoshua Okón & Juan Obando
Sawangwongse Yawnghwe
Curators
Hera Chan and Edwin Nasr
Spatial Design
Ali T. As’ad
Graphic Design
Farah Fayyad
Opening
30 October 2026, 18:00-20:00
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Info & Credits
Opening Times
30 October 2026 – 17 January 2027
Tue – Sun, 12:00-18:00
Location
Framer Framed
Oranje-Vrijstaatkade 71
1093KS, Amsterdam
The Netherlands
Free entry, pay what you can.
Framer Framed is supported by the Ministry of Education, Culture and Science; Amsterdam Fund for the Arts; and the Municipality of Amsterdam.
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Art and Activism / Politics and technology / Political Climate /
Network
Hannah Black
Artist
Haig Aivazian
Artist
Basel Abbas & Ruanne Abou-Rahme
Artists
Chaw Ei Thein
Artist
Giraffe Leung
Artist
Nolan Oswald Dennis
Artist
Sawangwongse Yawnghwe
Artist
Yoshua Okón
Artist
Juan Obando
Artist
Hera Chan
Curator
Edwin Nasr
Curator
Bahar Noorizadeh
Artist
Farah Fayyad
Graphic designer
