Over de rol van kunst in een globaliserende samenleving

Framer Framed

  • Noord
  • Haig Aivazian

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    Haig Aivazian’s (b. 1980, Beirut) practice grapples with the metamorphic nature of three technologies: artificial light, computation and law. He examines the ways in which the administration of light and darkness makes and unmakes persons, and transforms material conditions of architecture and geography – how they are inhabited and moved through by humans, animals, objects, machines and other strange creatures. His solo exhibitions include All of your Stars are but Dust on my Shoes, The Showroom, London (2022) and All of the Lights, The Renaissance Society, Chicago (2021). His work was also exhibited in The Cyprus Pavilion at the 60th Venice Biennale (2024); the 5th New Museum Triennial, New York (2021); 7th Yokohama Triennial (2020); the Armenia Pavilion at the 56th Venice Biennale (2015).


    Exposities


    Exhibition: Life After Love – In Search of the Militant Image

    An exhibition curated by Hera Chan and Edwin Nasr that surveys how the visual grammar of militancy has shifted across the global uprisings of the past decade