About the part that art plays in a globalising society

Framer Framed

Thomas Berghuis

Thomas J. Berghuis is currently living in the Netherlands.

Before he was the former director of the Museum of Modern and Contemporary Art in Nusantara (MACAN) in Indonesia and a curator Chinese Art at the Solomon R. Guggenheim Museum in New York. Before he was lecturer in Asian Art at the Department of Art History & Film Studies at the University of Sydney and a former Consultant Lecturer at the Sotheby’s Institute of Arts in Singapore. In 2009 Berghuis was also appointed Deputy Director of the Australian Centre for Asian & Archeology at the University of Sydney and since 2008 he has been on the Advisory Committee of Gallery 4A: Centre for Contemporary Asian Art. He completed his MA in Sinology at Leiden University (The Netherlands) in 1999 followed by a PhD dissertation on contemporary Chinese art at the University of Sydney (Australia).

Berghuis was one of the founding Associate Curators for Edge of Elsewhere, a three-year exhibition project with the Sydney festival focusing on community engagement and art across the Asia-Pacific, held at Gallery 4A in Chinatown and Campbelltown Art Centre in Western Sydney, one of the most culturally diverse communities in the world. He was Associate Curator for the 6th Sharjah International Biennale, U.A.E (2003), Curator for the 1st Dashanzi International Arts Festival at the 798 Factory in Beijing (2004), and Associate Curator for the 3 Israel Video Art Biennial in Tel Aviv (2006).

Berghuis’ writings have been published in various magazines and art publications, including in Art Review UK, Art Asia Pacific, Artlink, Australian Newspaper, Broadsheet, C-Arts, Mesh, positions and RealTime. His first book, Performance Art in China, has been published in 2006 with Timezone 8, Hong Kong, and Berghuis is currently co-editor for a book with the artist collective Ruangrupa in Jakarta, Indonesia, titled Siasat: Expanding the Space and the Public, featuring 38 essays by artists, curators and writers from across Asia, Australia, and the Middle East.

Video below: Contemporary Art and the Global Turn in China at the Guggenheim, April 6, 2015.


Agenda


Symposium: In the future everything remains uncertain
A discussion on art collection policy in the Netherlands.
Symposium: Suspended Histories
On the colonial past of the Van Loon family, and ways in which that past is presented and represented in Museum Van Loon.

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