About the part that art plays in a globalising society

Framer Framed

Jessika Khazrik

Jessika Khazrik (b. 1991, Beirut) is an artist, technologist, electronic music producer and writer whose indisciplinary practice ranges from composition to ecotoxicology, machine learning, cryptography, performance, visual art and history of science and music. Khazrik holds BAs in Linguistics and in Theatre from the Lebanese University and a MS in Art, Culture and Technology from MIT where she was awarded the Ada Lovelace prize. In 2012-13, she was a fellow at Home Workspace Program in Ashkal Alwan and in 2018-19, a fellow at the Digital Earth. While concurrently working as technologist and researcher in different collective and institutional settings, her work has been presented at The Normandy Landfill, the Stanford Research Institute, CTM Festival, the Arab Image Foundation, Kunsthalle Wien, Les Urbaines, the Museum of Modern Art Warsaw, Times Museum Guangzhou, LUMA Foundation, Haus der Kulturen der Welt, Amnesty International, Center of Documentary Arts and Research at UC Santa Cruz, her house, the internet, secrets and Theater der Welt, among others. Her essays and short stories have been published in Bidayat Journal, Kohl Journal, The Funambulist, Almodon and Ibraaz to name a few. Besides her solo practice, Khazrik composes the soundtrack of the GEOCINEMA film and research project, often collaborates with artists and labels on album art and text and DJs under different names. She is currently guest faculty at HfK Bremen(DE) and the editor of the international solidarity page at the 17teshreen/October17 monthly publication(LB).


Crisis Imaginaries, Chapter 4: Climate Interventions
Online panel on creating an altered world with Jessika Khazrik, Tega Brain and Claudius Schulze, moderated by Marija Cetinić