About the part that art plays in a globalising society

Framer Framed

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  • Inas Halabi. Photo: Courtesy of the artist Inas Halabi. Photo: Courtesy of the artist

    Inas Halabi

    Inas Halabi (b. 1988, Palestine) is an artist/filmmaker living and working between Palestine and the Netherlands. Her practice is concerned with how social and political forms of power are manifested and the impact that overlooked or suppressed histories have on contemporary life. Recent exhibitions and screenings include La Loge, Brussels (solo 2025); Brookline Art Centre, Boston (solo 2024); 36th Galway Film Fleadh (Irish Premiere 2024); Luleå Biennial (2024); Hot Docs Canadian International Documentary Festival (2023); de Appel, Amsterdam (solo 2023); Showroom London (solo 2022); Europalia Festival, Brussels (2021); Silent Green Betonhalle, Berlin (2021); Stedelijk Museum, Amsterdam (2020); and Film at Lincoln Center, USA (2020). Her recent work has been supported by Amarte, Amsterdam Fonds Voor de Kunst (AFK), Mondriaan Fund, and Sharjah Art Foundation.

    Most recently, her work We Have Always Known the Wind’s Direction (2023) featured in Framer Framed’s exhibition Between Fires: Irradiated Imaginations and Anti-Nuclear Solidarities (2026) on the intertwined histories of nuclear infrastructures, colonialism and resistance, beginning in the Northern Kazakh steppe.


    Exhibitions


    Exhibition: Between Fires – Irradiated Imaginations & Anti-Nuclear Solidarities

    Curated by Fabienne Rachmadiev, the exhibition traces the intertwined histories of nuclear infrastructures, colonialism and resistance, presented in collaboration with Sonic Acts

    Agenda


    Finissage: Between Fires – Irradiated Imaginations & Anti-Nuclear Solidarities
    The finissage wraps up the exhibition by bringing different geographies of nuclear colonialism and resistance in conversation
    Opening Between Fires: Irradiated Imaginations and Anti-Nuclear Solidarities
    Opening of the exhibition Between Fires, featuring a performance by buulbuul