About the part that art plays in a globalising society

Framer Framed

Fot. Agnieszka Brzeżańska

Agnieszka Brzeżańska

Agnieszka Brzeżańska’s work explores elusive links between various natural forces and life forms on Earth, which she perceives as Gaia, a living organism. In this, she uses various registers of knowledge, from physics and philosophy to systems of cognition marginalised by modern science, such as alchemy, parapsychology, esotericism, native knowledge or matriarchal traditions. She is also interested in contemporary ecological practices. She is an author of paintings, drawings, films, photographs and ceramics. Since 2016, together with artist Ewa Ciepielewska, she has been organising a mobile artistic residency on water, FLOW/PRZEPŁYW.

Most recently, her work is featured in Framer Framed’s exhibition Wild Waters: Dams and And Deltas After Modernity (2026) on the inextricable links between water, colonial expansion and territorial exploitation.


Exhibitions


Exhibition: Wild Waters

Curated by Àngels Miralda, the exhibition examines water as both a life-sustaining resource and an instrument of political power

Agenda


Living with the Delta: Myth, Memory and Water Knowledge
A programme that delves into the lives of waterside communities from different geographical perspectives
Opening: Wild Waters. Dams and Deltas After Modernity
Opening of the exhibition Wild Waters, featuring a performance by sound collective GalalaLive