About the part that art plays in a globalising society

Framer Framed

Darya Tsymbalyuk

Darya Tsymbalyuk

Darya Tsymbalyuk writes, researches, and draws. Her work lies at the intersection of environmental humanities and artistic research, and is based on feminist and decolonial methodologies. Darya is a Max Hayward Visiting Fellow at St Antony’s College, University of Oxford (2022-2023). She has received her PhD in 2021 from the University of St Andrews, Scotland, and her dissertation was dedicated to human-plant relations in stories of displacement and war. Her articles and essays appeared in NatureIWMpostOpen Democracy, Antennae: Journal of Nature in Visual Culture, NiCHE: Network in Canadian History & EnvironmentArcadia: Environment & Society PortalSprings: The Rachel Carson Center Review, to name a few. She is also a co-author of an open-access book Limits of Collaboration: Arts, Ethics, and Donbas (Rosa-Luxemburg-Stiftung 2022). Together with Kateryna Voznytsia, Yulia Serdyukova, and Viktor “Corwic” Zasypkin, Darya is a co-author of a docufiction animation Displaced Garden. Based on Darya’s PhD research, the film tells stories of humans and plants displaced from the east of Ukraine as a result of the Russian invasion of the region in 2014.


Agenda


In Extractive Terrains
An afternoon of film screenings and discussions exploring imperialist, colonial and capitalist histories of extraction in Central Asia and Ukraine.