About the part that art plays in a globalising society

Framer Framed

Courtesy of Nadine Monem

Nadine Monem

Nadine Monem is an Egyptian-Canadian writer working in hybrid autotextual modes and anti-colonial poetics. Her work has been published or supported by Tin House Books, Catapult Books, The Sewanee Review, The Kenyon Review, Gulf Coast Journal, The Seventh Wave, and The Literary Consultancy. She is currently working on her first book, excerpts of which have won the 2022 Wasafiri Queen Mary University New Writing Prize, the 2023 Black Warrior Review Nonfiction Prize, the 2024 Room Magazine Nonfiction Prize, and most recently, a 2024 Pushcart Prize nomination. She lives and works in London, where she teaches criticism and cultural studies at Central Saint Martins, University of the Arts London.


Agenda


Launch: Errant Journal #8, Against Visibility (or, the Right to Opacity)

Errant Journal #8 questions the ways in which hegemonic culture prioritises the ideal of visibility