Author: Golrokh Nafisi
Design: Ahmadali Kadivar
Printing:
Golrokh Nafisi and Ahmadali Kadivar.

Year: 2024
Number of pages: 56
Language: Spanish and English
Size: 23 x 29,5 cm
ISBN: 978-84-127332-4-2

 Testimonies is a project selected in the call for (self-)publishing in risography – La Escocesa 2023

Testimonies 2009-2024

60,00

Testimonies is a book by artist Golrokh Nafisi that collects illustrations and posters from 2009 to the present. Each of them belongs to a popular revolt or a moment in the lives of ordinary people that shaped those revolts. The poster archive contains visuals that were made quickly and in the midst of collective and revolutionary events. Nafisi gathered her prints together as a visual report of her peers, “A visual report of what lives in the memory of our bodies.”

Courtesy of Nafisi herself, Framer Framed is selling limited edition number hand-printed, signed and numbered by the artist. This publication features texts by Golrokh Nafisi, Asef Bayat, Jonas Staal, Giulia Crispiani, Sumayya Kassamali, Elham Rahmati and Rime Naguib.

Golrokh Nafisi a long-time collaborator of Framer Framed having presented an iteration of her performance titled Manifesto Against Nostalgia (2019) in Amsterdam together with Giulia Crispiani and Ahmadali Kadivar. In 2022, Nafisi prestented the book Gham/Tristezza/Sorrow at Framer Framed, a work that documents a correspondence between Golrokh Nafisi and Giulia Crispiani, between Tehran and Rome.

In 2023 Golrokh Nafisi became an artist-in-reisdence at Werkplaats Molenwijk, a project space of Framer Framed. Her research and drawings were collected in the publication Walvistraan: A Love Story in a Time of Extinction and Isolation (2023), which she wrote in collaboration with Ahmadali Kadivar and was published by Framer Framed.

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Category:
Golrokh Nafisi

Golrokh Nafisi

Visual Artist

Golrokh Nafisi (b. 1981, Isfahan, Iran) is a visual artist based between Amsterdam and Tehran. Graduate of Rietveld Academie in Amsterdam 2010-2014, from 2000-2005, she studied design at Art University of Tehran.

Her main artistic practice is to imagine alternative ways of both counting time and locating ourselves; shaping a new imagination for calendars as well as a new imagination for maps, designing the two elements that measure and define our time and space to give us directions in the current moment. Her aesthetic is strongly influenced by popular local handcraft of the cities that she travels to and works in. Nafisi is interested in discovering new forms of collective action, involving bodies and human ideologies.