Author: Mirelle van Tulder
Contributions: Mirelle van Tulder , Tamarah Kerr de Haan, Clémentine Deliss and Mirjam Shatanawi
Graphic Design: Victoria Lum
Co-publishers: Roots to Fruits and Framer Framed, Amsterdam.
Printer & Binder: Wilco B.V., Amersfoort
528 p, 240 b/w illustrations, 13,5 x 19 cm, English
ISBN 978-90-90403-96-0 2025
Emptying the Shelves
€29,99
English:
Emptying the Shelves traces how Dutch ethnographic museums — including the Dutch National Museum of World Cultures and its predecessors — have shaped and reshaped their displays over the past century. Drawing on a trove of archival exhibition photographs and contemporary essays by Mirelle van Tulder, Tamarah Kerr de Haan, Clémentine Deliss and Mirjam Shatanawi, it maps the shift from densely packed cabinets to minimalist white cubes, asking what these transformations reveal about colonial legacies, restitution and repair.
At the heart of the publication lies a disquieting question: What happens to the countless objects collected, displayed and later hidden from view? Artist and designer Mirelle van Tulder approaches this history through what Rolando Vázquez calls a decolonial aesthesis: a visual and conceptual practice that challenges the modern/colonial gaze. By bringing together more than 200 archival photographs, many published for the first time, Van Tulder and her collaborators reveal how the museum’s display strategies evolved from crowded cabinets to minimalist white cubes yet remained bound to systems of representation that privilege the Western eye.
Emptying the Shelves stands as both archive and proposition: a call to confront the layered histories of ethnographic museums and to imagine new modalities of restitution, repair and relational care.
50 in stock
Mirelle van Tulder
Artist, Researcher
Mirelle van Tulder holds an MA in Fine Art and Design from Werkplaats Typografie (2021-2023) in Arnhem. She was a Research Associate at the Research Center for Material Culture, Wereldmuseum (2021-2023) and has worked as an image researcher for MacGuffin Magazine from 2019-2023.
She is the author of Catalog of Stolen Objects, Courtesy Of (2024) and is the founder of the magazine and publishing house Roots to Fruits, which explores the intersections between music, archives, and resistance.
In 2023, Mirelle van Tulder became the Atelier KITLV-Framer Framed Artist in Residence. Her practice delves into the colonial archive, seeing its complexity not only as an incredibly vast collection of objects and documents, but also understanding its position concerning personal history. As part of her residency, her work was shown in the exhibition Sensible Past: Of Distances and the Fabrication of the Frame (2024) at Gedung Balai Pemuda in Surabaya, Indonesia and in Shapeshifters at Framer Framed, Amsterdam (2025).
Additional information
| Weight | 0,5 kg |
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