{"id":4138,"date":"2025-10-22T13:18:25","date_gmt":"2025-10-22T11:18:25","guid":{"rendered":"https:\/\/framerframed.nl\/store\/?post_type=product&#038;p=4138"},"modified":"2026-01-29T11:33:03","modified_gmt":"2026-01-29T10:33:03","slug":"emptying-the-shelves","status":"publish","type":"product","link":"https:\/\/framerframed.nl\/store\/product\/emptying-the-shelves\/","title":{"rendered":"Emptying the Shelves"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; width=&#8221;100%&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_wc_breadcrumb _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_wc_breadcrumb][et_pb_wc_cart_notice _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_wc_cart_notice][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; width=&#8221;100%&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_wc_images _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_wc_images][et_pb_text _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Author:<\/strong> <a href=\"https:\/\/framerframed.nl\/mensen\/mirelle-van-tulder\/\">Mirelle van Tulder<\/a><br \/><strong>Contributions:<\/strong> Mirelle van Tulder , Tamarah Kerr de Haan, Cl\u00e9mentine Deliss and <a href=\"https:\/\/framerframed.nl\/mensen\/mirjam-shatanawi\/\">Mirjam Shatanawi<\/a><br \/><strong>Graphic Design:<\/strong> Victoria Lum<br \/><strong>Co-publishers:\u00a0<\/strong> <a href=\"https:\/\/rootstofruits.info\/\">Roots to Fruits<\/a> and\u00a0<a href=\"http:\/\/www.framerframed.nl\">Framer Framed<\/a>, Amsterdam.<\/p>\n<p><strong>Printer &amp; Binder:<\/strong> Wilco B.V., Amersfoort<\/p>\n<p><span>528 <\/span>p, <span>240 b\/w illustrations<\/span>, <span>13,5 x 19 cm<\/span>, English<br \/><strong>ISBN<\/strong> 978-90-90403-96-0 2025<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_wc_title _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_wc_title][et_pb_wc_rating _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_wc_rating][et_pb_wc_price _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_wc_price][et_pb_wc_description _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_wc_description][et_pb_wc_add_to_cart _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_wc_add_to_cart][et_pb_wc_meta _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_wc_meta][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_team_member name=&#8221;Mirelle van Tulder&#8221; position=&#8221;Artist, Researcher&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; header_level=&#8221;h3&#8243; header_font=&#8221;|800|||||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Mirelle van Tulder\u00a0holds an MA in Fine Art and Design from\u00a0Werkplaats Typografie\u00a0(2021-2023) in Arnhem. She was a Research Associate at the Research Center for Material Culture, Wereldmuseum (2021-2023) and has worked as an image researcher for\u00a0<em>MacGuffin Magazine<\/em>\u00a0from 2019-2023.<\/p>\n<p>She is the author of <em>Catalog of Stolen Objects, Courtesy Of<\/em> (2024) and is the founder of the magazine and publishing house\u00a0<a href=\"https:\/\/rootstofruits.info\/\"><em>Roots to Fruits<\/em><\/a>, which explores the intersections between music, archives, and resistance.<\/p>\n<p>In 2023, Mirelle van Tulder became the\u00a0<a href=\"https:\/\/framerframed.nl\/en\/dossier\/aankondiging-atelier-kitlv-framer-framed-artist-in-residence\/\">Atelier KITLV-Framer Framed Artist in Residence<\/a>. Her practice delves into the colonial archive, seeing its complexity not only as an incredibly vast collection of objects and documents, but also understanding its position concerning personal history. As part of her residency, her work was shown in the exhibition\u00a0<em>Sensible Past: Of Distances and the Fabrication of the Frame<\/em>\u00a0(2024) at Gedung Balai Pemuda in Surabaya, Indonesia and in <em>Shapeshifters<\/em> at Framer Framed, Amsterdam (2025).<\/p>\n<p>[\/et_pb_team_member][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; width=&#8221;100%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_wc_tabs _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;] [\/et_pb_wc_tabs][et_pb_wc_upsells _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_wc_upsells][et_pb_wc_related_products _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_wc_related_products][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>English:<\/strong><\/p>\n<p>Emptying the Shelves\u00a0traces how Dutch ethnographic museums <sub>\u2014<\/sub> including the Dutch National Museum of World Cultures and its predecessors <sub>\u2014<\/sub> have shaped and reshaped their displays over the past century. Drawing on a trove of archival exhibition photographs and contemporary essays by\u00a0Mirelle van Tulder,<strong>\u00a0<\/strong>Tamarah Kerr de Haan,\u00a0Cl\u00e9mentine Deliss and\u00a0Mirjam Shatanawi, it maps the shift from densely packed cabinets to minimalist white cubes, asking what these transformations reveal about colonial legacies, restitution and repair.<\/p>\n<p>At the heart of the publication lies a disquieting question:\u00a0What happens to the countless objects collected, displayed and later hidden from view? Artist and designer\u00a0Mirelle van Tulder\u00a0approaches this history through what Rolando V\u00e1zquez calls a decolonial aesthesis: a visual and conceptual practice that challenges the modern\/colonial gaze. By bringing together more than 200 archival photographs, many published for the first time, Van Tulder and her collaborators reveal how the museum\u2019s display strategies evolved from crowded cabinets to minimalist white cubes yet remained bound to systems of representation that privilege the Western eye.<\/p>\n<p><em>Emptying the Shelves<\/em>\u00a0stands as both archive and proposition: a call to confront the layered histories of ethnographic museums and to imagine new modalities of restitution, repair and relational care.<\/p>\n","protected":false},"featured_media":4203,"template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"product_brand":[],"product_cat":[43],"product_tag":[],"class_list":{"0":"post-4138","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-framer-framed","7":"product_shipping_class-publications","9":"first","10":"instock","11":"taxable","12":"shipping-taxable","13":"purchasable","14":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Emptying the Shelves - Framer Framed Store<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/framerframed.nl\/store\/product\/emptying-the-shelves\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Emptying the Shelves - Framer Framed Store\" \/>\n<meta property=\"og:description\" content=\"English:  Emptying the Shelves\u00a0traces how Dutch ethnographic museums \u2014 including the Dutch National Museum of World Cultures and its predecessors \u2014 have shaped and reshaped their displays over the past century. Drawing on a trove of archival exhibition photographs and contemporary essays by\u00a0Mirelle van Tulder,\u00a0Tamarah Kerr de Haan,\u00a0Cl\u00e9mentine Deliss and\u00a0Mirjam Shatanawi, it maps the shift from densely packed cabinets to minimalist white cubes, asking what these transformations reveal about colonial legacies, restitution and repair.  At the heart of the publication lies a disquieting question:\u00a0What happens to the countless objects collected, displayed and later hidden from view? Artist and designer\u00a0Mirelle van Tulder\u00a0approaches this history through what Rolando V\u00e1zquez calls a decolonial aesthesis: a visual and conceptual practice that challenges the modern\/colonial gaze. By bringing together more than 200 archival photographs, many published for the first time, Van Tulder and her collaborators reveal how the museum\u2019s display strategies evolved from crowded cabinets to minimalist white cubes yet remained bound to systems of representation that privilege the Western eye.  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