1.0Framer Framedhttps://framerframed.nl/enIntroducing the Hybrid Publications Research Group – Framer Framedrich600338<blockquote class="wp-embedded-content" data-secret="zOzzRh4ONe"><a href="https://framerframed.nl/en/dossier/hybrid-publications-research-group/">Introducing the Hybrid Publications Research Group</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://framerframed.nl/en/dossier/hybrid-publications-research-group/embed/#?secret=zOzzRh4ONe" width="600" height="338" title="“Introducing the Hybrid Publications Research Group” — Framer Framed" data-secret="zOzzRh4ONe" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://framerframed.nl/wp-content/uploads/2022/09/WhatsApp-Image-2022-09-26-at-4.31.37-PM.jpeg1400933Text: Sepp Echenhaussen Amsterdam, July 2022 As the digital components of cultural programs become more prominent, cultural organizations are faced with questions usually associated with the publishing industries, ranging from practical obstacles to fundamental issues. How can an artist statement from the catalogue of an exhibition be published on social media and still relate to […]