The Slanted View

On the practice of western art criticism and the criteria of evaluation used by Dutch art institutions

Thursday, October 22, 2009, 08:00 PM, Debate Centre Lux (Nijmegen)

Image - The Slanted View

The Slanted View is realized in cooperation with Debate Centre Lux (Nijmegen) and InterArt (Arnhem).

Background

People generally look at the world around them through their personal frame of cultural reference. Customs, traditions and ideas about beauty in large part stem from education and surroundings. This is also true for the interpretation and experience of visual art. The Dutch museumgoer's view of art is generally determined by western artistic criteria. How can we learn to value artistic expressions from different cultures? How would this affect our personal opinions and notions about art?

Debate

The debate is introduced by Simon Njami. Njami is a French art critic with roots in Cameroon and he is the founder of Revue Noire magazine. Njami was the first curator of the Africa pavilion at the 52nd Biennial of Venice (2007).

Guests

Simon Njami - Independent Lecturer, Art Critic, Novelist, Essayist;

Bambi Ceuppens - Researcher, linguist, Historian, Social Anthropologist;

Wouter Welling - Curator, Publicist;

Christiane Berndes - Curator.

Debate leader is Ruben Maes.

Art

As part of the debate a video report about Oumar Mbengue Atakosso's Post-modern Immigrant will be shown. Artist Amal Kenawy (Egypt) will be staging a performance art piece.

The Senegalese artist Oumar Mbengue Atakosso talks about his work Post-Modern Immigrant / Lost and Found.

Image - Amal Kenawy

Amal Kenawy, 8th Sharjah Biennal (United Arab Emirates), Installation with fabric in the ruines of a residential building on the Heritage Area outskirts (2007).

The work of Amal Kenawy (1974) spans a breadth of media, creating a space in which she negotiates her own identities vis a vis the world around her.

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